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Dear Semua Fans Miyabi WEB BLOG telah Pindah ke
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silahkan di klik untuk masuk BRO semua Salam Maria !!!
If you go to art museums, you surely know this is one of Robert Motherwell's over 200 versions of Elegy to the Spanish Republic. This one was painted in 1958-60 and is on display at the Philadelphia Museum of Art. I saw this one again recently, and I have seen many similar versions in many other museums.
You can view some of my 3-D paintings on my website at www.jayrolfe.com/.
All right, this blog is called "Contemporary Art Revealed," and I have posted about Impressionist, post-Impressionist, and Modern paintings over the past 10 days. So here's something from 1961, Black Fire I by Barnett Newman. Newman was known for his vertical stripes he called "zips" and for his large vertical blocks of color (often black). This painting is usually on view at the Philadelphia Museum of Art where I saw it again a week ago.
You can view some of my 3-D paintings on my website at www.jayrolfe.com/.
The wall label at PMA describes the painting as follows: "Black Fire I conveys a dark grandeur through simple means: the tensions between edge and field, opacity and transparency, order and spontaneity, black pigment and raw textured canvas." Wow. Sometimes a picture IS worth a thousand words.
On my visit a week ago to the Philadelphia Museum of Art, I again saw one of my favorite Impressionist paintings owned by the Museum. It has been off display for a while, and now it is back. The painting is Mary Cassatt's portrait of her sister Lydia at the Paris Opera House in front of a mirror which reflects the interior of the Opera House. It was painted in 1879 and is titled Woman With A Pearl Necklace in a Loge. It is bright, lively, and when you see it in person it's like you are there enjoying the opera scene with her.
Mary Cassatt was born in the Philadelphia area, and moved to Paris after art school at the Pennsylvania Academy of the Fine Arts in order to further her art career.
You can see some of my 3-D paintings on my website at www.jayrolfe.com/.
Henri Matisse painted The Moorish Screen in 1921. It shows his daughter Marguerite and his then-favorite model Henriette Darricarre in an interior of incredibly rich carpets and wall coverings and the titular Moorish screen. Although I have seen this on display at the Philadelphia Museum of Art, it is now on display in the Museum's Perelman Building as part of the exhibit "Henri Matisse and Modern Art on the French Riviera."
You can view some of my 3-D paintings on my website at www.jayrolfe.com/.
The second of the two Henri Matisse still life paintings I referred to yesterday is Still Life on a Table painted in 1925, the year after the painting featured yesterday. This painting, not usually on view at the Philadelphia Museum of Art, is currently on view at the Perelman Building of the Philadelphia Museum of Art as part of the exhibit "Henri Matisse and Modern Art on the French Riviera." You can see many similarities between this painting and the one featured yesterday.
You can view some of my 3-D paintings on my website at www.jayrolfe.com/.
Two Henri Matisse still life paintings that are not usually on display are now on display at the Perelman Building of the Philadelphia Museum of Art. This one was painted in 1924 and is titled Still Life. You can see Matisse really loved his textiles.
You can see some of my 3-D paintings on my website at www.jayrolfe.com/.
Matisse used models extensively and frequently painted figures. This Henri Matisse painting from 1917, Head of a Woman, is somewhat unusual in that it includes only the head. This is one of the Matisse paintings owned by but not usually not on view at the Philadelphia Museum of Art and now on view in the Perelman Building exhibit "Henri Matisse and Modern Art on the French Riviera."
You can view some of my 3-D paintings at www.jayrolfe.com/.