Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Monday, March 21, 2011

Beware those who don't heed history's lessons: A review of HBO's Triangle: Remembering the Fire


"People forget the Triangle fire at their peril... If people want to know what deregulated industry would look like, look at the bodies on the sidewalk outside the Triangle building."
Leigh Benin, Adelphi University labor historian


With big corporations seeking to gain more and more power by using bought-and-paid-for politicians to strip away regulations and weaken workers' rights, there couldn't be a better time to look back at the tragedy of the Triangle Shirtwaist Company fire, which killed 146 people 100 years ago March 25 and brought about the reforms and labor movements billionaires and the historically ignorant seek to dismantle today. A well-done and brief primer on the fire and the events leading up to it and its aftermath premieres on HBO tonight. Triangle: Remembering the Fire debuts at 9 p.m. EDT and PDT / 8 p.m. CDT.

For those unfamiliar with the story of the Triangle fire, this 45-minute documentary gives you almost all you need to know about the 100-year-old tragedy and offers lessons needed for today as it seems we risk the rise of a new Gilded Age where tycoons value profits over the safety of their workers and the government at both the state and national level seems to be more-than-willing co-conspirators with its push to deregulate anything and everything. If one wants to look for modern examples of this, they need looks no further than the lack of safety enforcement at various coal mines that have cost many miners their lives, the BP Gulf disaster which killed their own workers and destroyed an ecosystem and the "fracking" techniques used in the search for natural gas that has been linked to poisoned water sources, cancer deaths and possibly even earthquakes, all of which exploration companies were exempted from environmental laws under the Bush Administration. This doesn't even take into account how the blind eye of regulators allowed financial speculators to cause the biggest financial crisis since the Great Depression and a housing bubble that sparked a foreclosure debacle. Just last week, both parties in Congress, led by Sen. Jon Tester, D-Mont., all still doing the bidding of the big banks, sought to delay the huge fees the banks collect on debit card transactions for another two years, weakening already toothless financial reform legislation. Obama's Treasury Secretary Tim Geithner also is rumored to further water down the reform by exempting currency derivatives from transparency requirements in the legislation. Yes, government of the corporations, by the corporations and for the corporations shall not perish from the United States it seems.

In 1911, out of the ashes of the tragedy of the Triangle fire came reforms for workers, first in the state of New York, that laid the groundwork for FDR's New Deal when he became president 22 years later, reforms that politicians backed by rich businessmen seek to dismantle today as we've seen in states such as Wisconsin, Michigan and Ohio with more on the way.

Tovah Feldshuh narrates Triangle: Remembering the Fire and her calm voice serves perfectly as an invisible teacher. The Triangle Waistshirt Company was one of many businesses associated with the garment industry in the early part of the 20th century in New York. Co-owners Max Blanck and Isaac Harris had hit upon a new trend in ladies' fashion: basically, the blouse. For the first time, women were wearing separate tops just as men did. It made them rich and their company occupied the top three floors of one of downtown Manhattan's newest skyscrapers, the 10-story Asch Building at the corner of Washington Place and Greene Street. The building, now known as the Brown Building and part of the NYU campus, still stands and has been registered a National Historic Landmark and a New York City landmark.

With the huge demand for their product, the Triangle company workers tended to be on the job seven days a week for long hours and little pay and the people willing to be exploited this way did so because they had no other choice. They tended to be newly arrived European immigrants who had been fleeing famine and persecution. Not only did they not find the American dream in their work situation, most could only find living arrangements in tenements on the lower eastside. In the case of the garment industry, most of these virtual slaves were women, especially young women, some not even teenagers yet. To get as much production going as possible, the ninth floor of the Asch Building had been stacked to capacity with 300 sewing machines, leaving barely any elbow room for the workers inside. About a year and a half before the Triangle fire in November 1909, The International Ladies Garment Union Workers Union staged a massive strike demanding better working conditions for women. The 20,000 female strikers who took to the streets was unprecedented — and this was taking place more than a decade before women had the right to vote in the United States. It really was the first head-on clash between the tycoons of The Gilded Age and their corrupt political minions ensconced in Tammany Hall and the growing progressive movement. The strikers may have been women, but it didn't prevent Tammany from sending out police and hired thugs to arrest them and get rough. By the time the strike ended, the workers at Triangle returned to their sewing machines without any union recognition.

As we see today when the gap between what company CEOs make and the wages given to their average workers have reached startling disparities, similar differences existed at the time between company owners and the average Americans. For example, Triangle co-owner Max Blanck surrounded himself with servants and spent more than $100,000 to renovate his home, quite a contrast when the average American in 1911 only made $300 to $600 a year. Yet Blanck and other company heads didn't want to spring for the readily available sprinkler systems for new buildings or follow the recommendation of New York Fire Chief Ed Croker who, after a similarly tragic fire at a Newark, N.J., factory a mere four months before the Triangle fire had killed 25 workers, again mostly women, had suggested that buildings routinely practice fire drills. Company owners, always focusing on the bottom line, felt drills would affect work productivity and since no government regulations existed to enforce the sprinklers or the drills, they had no one twisting their arms to do the right thing.

What's so compelling about Triangle: Remembering the Fire is not just recounting all that missteps that led to the tragedy and can anger you a century later even when the event occurred long before you were born, but also the interviews with people related to both survivors and victims of the blaze. The filmmakers interview Suzanne Pred Bass who had two great-aunts who were in the fire, one who survived, one who didn't, presumably because they lost sight of each other in the smoke that quickly enveloped the ninth floor.

The cause of the fire has never been clear, but most believe a still-burning cigarette tossed into a trash can on the eighth floor quickly consumed the three floors. The switchboard operator on eight notified the 10th floor and the fire department immediately but in her haste, forgot to tell the ninth floor. Though the documentary doesn't confirm it as fact or legend, the story goes that of the two fire escapes on the ninth floor, they kept one locked so that when workers left for the day, they could be searched to make certain that they weren't stealing anything. Those who did survive from the ninth did so thanks to the heroics of elevator operator Joseph Zito who kept overloading his vehicle to get as many out as he could until it finally collapsed under the weight of the panicked who leaped down the elevator shaft to escape the flames. Most of the people on 10 were able to flee thanks to people in a neighboring building who got ladders across the space between the two buildings. Even though the fire department arrived two minutes after receiving the call, once they got to the Asch Building, the ladder trucks only reached to the sixth floor. Many of those who died were killed jumping to their deaths. At first, some bystanders thought they were tossing bundles of clothes out the windows to save them until they spotted the legs, arms and faces beneath them. Some hit the pavement so hard they crashed through glass plates on the sidewalk. In all, 146 died, 129 women and girls and 17 men. The blaze consumed all three floors in just 18 minutes from the time the blaze started and that 18 minute mark was when the last body hit the ground. Of the 146 deaths, 90 leaped to escape the flames.

The horror of what happened led Al Smith, a Democrat thick in Tammany Hall politics who would later lose the presidency to Herbert Hoover, to shake off the cronyism and lead the fight for reforms. New York led the way for proper workweeks and pay and, most importantly, safety conditions for its citizens. It even began to set up a pension system for those too old to work any longer, all ideas that Franklin Roosevelt would bring nationwide in the New Deal. The tragedy showed the need for strong unions and for the government to be for the people, not the corporations, and it is frightening to see the backpedaling that is happening today. Blanck and Harris eventually did face criminal charges for the deaths of their workers, but they were acquitted by an all-male jury and since they had lots of insurance, the fire didn't do much damage to them at all. Because many of the bodies were charred so badly, six couldn't be positively identified but in a separate feature, Triangle: The Unidentified, available only on HBO OnDemand, co-producer and historian Michael Hirsch uses research and genealogical techniques unavailable 100 years ago to give names for the first time to those resting in a mass grave in the Evergreen Cemetery in Brooklyn so now when the names of the dead are ready every year, those unidentified six can now join the other 140.

Triangle: Remembering the Fire premieres tonight at 9 p.m. EDT and PDT / 8 p.m CDT. You owe it to yourself to watch.

Monday, February 28, 2011

Mayor Mike blows it

By Carl 

This op-ed, to no great surprise, is a bundle of elitist hackery that speaks volumes about how Mayor Michael Bloomberg has handled New York City's finances through two budget crises.

It's not that he doesn't make some points (I'll get to those), but it's the overall tone of privilege, which is sort of funny coming from a billionaire, self-made or no.

To wit:

Across the country, taxpayers are providing pensions, benefits and job security protections for public workers that almost no one in the private sector enjoys. Taxpayers simply cannot afford to continue paying these costs, which are growing at rates far outpacing inflation. Yes, public sector workers need a secure retirement. And yes, taxpayers need top-quality police officers, teachers and firefighters. It’s the job of government to balance those competing needs. But for a variety of reasons, the scale has been increasingly tipping away from taxpayers.

Now, like I said, Mayor Mike has a point: There is an enormous burden on taxpayers to fund budget deficits. In New York City in particular, the budget by law has to be balanced (barring catastrophes) in order for the city to receive state funding. And the costs of pensions and health care are outstripping the rate of inflation, particularly at a time of near-zero inflation.

But... this article smacks of so much hypocrisy that I had no choice but to address it.

The argument you never hear, the argument that Mayor Mike ought to hear and then shut his piehole over, is this: Public-sector workers make MUCH LESS SALARY than their private sector counterparts. A clerk in a bank gets a 10-15% higher salary, plus vacation, plus paid sick time, and may even be eligible for a bonus each year.

Yes, that's right: a clerk at Goldman Sachs can make a bonus that brings his income significantly higher than the private sector premium already paid! The equivalent clerk at the city Department of Finance? Not so lucky.

So what makes people want to serve the public? It can't be the appreciation, a glance at the New York Post or FOX News will show any public servant just how appreciated they are. These outlets lie in wait for some poor soul who hasn't slept in three nights because his wife is due to deliver a baby to fall asleep on a park bench, even momentarily, so they can smear his face across front pages for millions.

Just ask an EMT who has to drive an ambulance down a crowded street to try to pick up a heart attack victim just how much appreciation he gets from motorists stuck behind his rig, lights flashing and EMTs hustling about. Why, the shouted "Hosannas" would make a stevedor blush!

It's not the salary or the awesome potential to make millions, because you know what? No one makes that kind of money in city government.

No, they do it because they get two guarantees: job security in tough economic times and the promise of a pension at the end of the road.

And even in New York City, thousands of civil servants have been laid off by the bushel and now there's talk of 6% of the teachers being axed, most from the poorest schools furthest behind grades... who will then be closed because they underachieve academically. Mayor Mike, with this article, demonstrates that even pensions are not above his vulgar rapacity.

It's a win-win for the billionaires that Bloomberg is kowtowing to! It's a lose-lose for the other nine million citizens who work their fingers to the bone, trying to make ends meet and give their kids some kind of leg up in life.

See, the dirtiest secret of them all is, we wouldn't be in this crisis if Bloomberg and his predecessors, particularly Rudy 9-11 Giuliani, hadn't given away the candy store to companies who even glanced at New Jersey and winked at the mayor. You want to understand why the city's finances are in the toilet? Companies like NASDAQ and Citicorp pay no taxes to New York City, of any consequence, based on sweetheart deals to retain their presences in our fair town.

The irony is, where the hell would they have gone? If you want to be taken seriously as a player, you have to have your offices in the biggest financial capital in the world (well, except that's now London, but I digress).

Even Lehman Brothers... LEHMAN BROTHERS, who couldn't make money in a market that practically printed it!... got tax incentives to stay here and build a garish headquarters in Times Square. And then went bankrupt.

But hey, Mr. Mayor, you go right on balancing the budget on the backs of the clerks and the firefighters and the teachers and the santitation workers and all the people who voted for you last time out, then hop your little jet to Bermuda to get away from the stench of burnt charcoal and chalk dust and uncollected trash... who needs you?

(Cross-posted to Simply Left Behind.)

Thursday, August 12, 2010

Keith and Kidman Get a New Krib in Manhattan


BUYER: Nicole Kidman and Keith Urban
LOCATION: New York City, NY
PRICE: $10,000,000
SIZE: 3,248 square feet, 3 bedrooms, 3.5 bathrooms

YOUR MAMAS NOTES: Word on the celebrity real estate street is that bizzy as a beaver Oscar winning Aussie actress Nicole Kidman (Nine, Bewitched, Cold Mountain, The Hours) and her Grammy award winning country-pop music crooning huzband Keith Urban are moving into the same high profile New York City building as the Dolce and Gabbana boys.

Last fall it was widely reported here, there, and everywhere that smooth pated Italian fashion queen Domenico Dolce, through a trust, forked over a blistering $29,500,000 to purchase two doo-plex penthouse units of the critically acclaimed Annabelle Selldorf designed building recently erected on the corner of 11th Avenue and West 24th Street, at the edge of the heart of the Chelsea Arts District and across the street from the Gagosian Gallery. 14 of the building's 16 apartments, some of the children may recall, comes with a private 300 square foot "En-Suite Sky Garage™", accessed by driving one's luxury automobile into a giant key-lock elevator that magically lifts the car up to the same level as the the apartment to which it's deeded.

According to the most recent reports, the Australian born Kidman-Urbans plunked down some big American bucks for a doo-plex unit that measures 3,248 square feet and includes 3 bedrooms, 3.5 poopers, and two city view loggias. Miz Kidman and Mister Urban appear to have drove a hard real estate bargain because the puffy lipped actress and her flat iron loving husband reportedly snatched up their new doo-plex pied a terre in the Big Apple for $10,000,000, a figure that our bejeweled abacus indicates is a 20% reduction off the $12,500,000 asking price.

The main living spaces are located on the doo-plex unit's upper floor and include a 20-foot by 22-foot living room with western views over the Hudson River towards New Jersey, and a combination dining room and a gore-may kitchen with folding oiled teak panels that when closed conceal the kitchen equipment. Just beyond the kitchen/dining room, a large study/bedroom with walk-in closet and private pooper has Hudson River views to the west and opens to one of the two covered covered loggias that anchor the eastern corners of the doo-plex . A breezeway–a hallway really–with built in storage closets and a powder pooper links the two loggias and opens into the kitchen as well as to the single car garage in the sky.

The lower floor is accessed by a dramatic staircase that descends from the living room down into a double height great room with two walls of floor to ceiling glass with double glass doors that slide open to glass balustrades that obliterate any visual barrier between the interior spaces and the glittering and enviable views. A guest bedroom with en-suite pooper sits in the north east corner and the master bedroom includes a wall of closets, dressing area and large windowless pooper with teak cabinetry and floors, double sinks sitting on a counter top of imported French glazed lavastone Pyrolave, acid etched mirrors, separate glass enclosed shower, and freestanding honed granite soaking tub.

Amenities in the sleek stainless steel and cast gunmetal glazed terra cotta clad tower that was carefully designed to maintain an architectural dialogue with the industrial lofts and buildings that surround it include a 24/7 attended lobby, key-lock elevators, cold storage for food deliveries, a second floor fitness center with treatment room, Hudson River views, and terraces, and, of course, those private garages.

In addition to Domenico Dolce and the Kidman-Urbans, other owners of residences in the state of the art building include interior designer Jamie Drake, a man blessedly unafraid of color who sold his exuberant Flatiron District loft last year for $2,945,000, and real estate agent extraordinaire Leonard Steinberg.

Prior to coughing up the cash for this new doo-plex condo, Miz Kidman leased a number of high profile apartments including the old Lenny Kravtiz penthouse in SoHo just picked up by Alicia Keyes and Swiz Beatz, another penthouse in SoHo formerly owned by tennis ace Boris Becker and now owned by chat queen Kelly Ripa and her hunky man-mate Mark Consuelos, and another large apartment in the same Chelsea building that Your Mama and the Doctor Cooter once called home.

The alabaster skinned actress and her diminutive huzband own several luxurious residences around the world including a contemporary pile in the same Beverly Hills neighborhood as Cameron Diaz, Penelope Cruz, and Jessica Simpson and a 10,925 square foot beast with 7 bedrooms, 8 full and 2 half poopers in Nashville, TN that originally all us real estate gossips thought was purchased by Jessica Simpson.

Miz Kidman and Mister Urban also own a few plum and pricey properties Down Under. In the summer of 2008 it was widely reported that Mister and Missus Kidman-Urban dropped around $6,500,000 (AUS) for a 110 acre spread called Bunya Hill in Sutton Forest, a sleepy and swank enclave in the Southern Highlands about 1.5 hours outside of Sydney.

In the spring of 2009 Miz Kidman dumped her digs in the Darling Point area for $13,200,000 (AUS) after first listing the 4 bedroom waterfront villa a year before with the rumored asking price for $20,000,000 (AUS). The Kidman-Urbans subsequently scooped up a $6,500,000 (AUS) doo-plex penthouse apartment on the 21st floor of a converted office building with panoramic views of the scenic Sydney Harbor.

listing photos and floor plan: Prudential Elliman